Aimless wandering will inevitably lead you to a settlement called Tauris and a place known as the Kraken Temple where you discover that the planet you are on has been seeded and overtaken by a biological growth and entities called “Titans.” The meat of which is the lifeforce of most inhabitants of the wastes, who pass their time by salvaging old tech, drinking, making love, and having puking contests.ĭeath Trash also has some queer knods and sidestories. Humanity has devolved into factions of barbarians, drunken fools and zealots. ![]() The only thing obvious is that wherever you are was once a technologically advanced civilization, but that time has long passed. Your mission once leaving the starting area is left unclear, with only scraps of notes to guide you. You wake up with little to no memory of who or what you are or were, cast out of an ancient organization due to a contamination you have contracted somehow. The wasteland of Death Trash is macabre and hysterical with a sick sense of humor that was a joy to uncover. In Death Trash, you are encouraged to blindly explore the desolated plains of an unknowable wasteland, every discovery leading to more questions, that left me craving for more after my ten-hour campaign in the early access release of this exciting game. ![]() What it delivered is something reminiscent but fresh to the genre of nostalgic pixel-art RPGs that have cropped up in the past decade. Since its Early Access debut trailer at E3 2021, Death Trash has been a frenzied hope of indie game enthusiasts looking to capture the nostalgia of old-school adventure cyberpunk classics like Fallout, Beneath a Steel Sky and Shadowrun (SNES).
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